Wednesday, November 6, 2013

Choose Your Own Short Story

READ
[Source]

Choose one story from the following short stories (sure you can read more than one, but for this unit having one under your belt will suffice).

Choose one from the following:
"Everything That Rises Must Converge"-Flannery O'Connor
"The Black Cat"-Poe
"Where Are You Going? Where Have You Been?"-Oates
"A Good Man is Hard to Find"-O'Connor

DO THE FOLLOWING ON YOUR BLOG
Create Socratic Questions (one question for each type) covering the story you've chosen. Write your questions and the answers on a blog post. Be sure to answer each question you ask using complete sentences.

Anytime you want me to check your progress comment below 
and I'll look at what you've been writing.

Tuesday, November 5, 2013

Southern Gothic Romanticism: "The Life You Save May Be Your Own" and "A Rose for Emily"


Southern gothic - how to create a free slideshow

After reviewing the notes for Southern Gothic Romanticism (hover over the notes to show the play and pause buttons so you can pause and read as many times as you like) read the two stories below.

READ: "The Life You Save May Be Your Own"

READ: "A Rose for Emily"

ANSWER ON YOUR BLOG: What is Southern Gothic Romanticism? How do the two stories and their authors exhibit Southern Gothic traits? How do these stories and their literature compare to Romanticism and Gothic or Dark Romanticism?

In “A Rose from Emily”, why do you think Miss Emily’s crime goes undetected until her death? Identify at least three contributing factors and support them with reference to the story.

Flannery O’Connor, the author of “The Life You Save May Be Your Own”, said that the hitchhiker Shiftlet picks up at the end ‘makes the story work.’ How do you think the episode with the hitchhiker does this?

WORDS TO KNOW
Irony (Situational, Verbal and Dramatic)
Like to learn about irony with irreverent humor? Click here. Want your irony in a more serious approach with a handy-dandy handout? Click here. Prefer your lesson on irony with sound? Click here.

And, because...well, um, who doesn't like an argument? Here's my favorite song about irony...or is it about irony at all? Argue with yourself as you listen:




Anytime you want me to check your progress comment below and I'll look at what you've been writing.

Monday, November 4, 2013

The Gothic Short Story (Write Your Own)


Note: You will need to be in class to get the due date and to draw for what motifs you'll need to include in your story.

Words to know
Motif (there's a sheet you can download from this file)

Sunday, November 3, 2013

Gothic Romanticism: Hawthorne, Poe and Baudelaire


Gothic Romanticism - slideshows

In class we will be reading "The Raven" by Edgar Allen Poe. When reading "Spleen" by Baudelaire note the similarities and differences between the American approach to Dark Romanticism as compared to Baudelaire's European approach. Need a little help? Check out some reading here and/or here.

READ: "Dr. Heidegger's Experiment"
READ: "The Fall of the House of Usher"
READ: "The Masque of the Red Death"

ANSWER ON YOUR BLOG: 
  1. There are many interpretations of “The Fall of the House of Usher”. One interpretation suggests that Usher’s nervousness and weakness are the results of Madeline Usher’s being a vampire. Using details from the story, write an analysis of the story that supports this interpretation.
  2. How do the Gothic fiction writers express—either directly or indirectly—a criticism of human nature. Explain what the writers criticize about human nature, and how they communicate this criticism to the reader. Do the writers have similar attitudes toward human nature? Explain.
Anytime you want me to check your progress comment below 
and I'll look at what you've been writing.


[The Father of Gothic Fiction: Edgar Allen Poe]

Monday, October 28, 2013

Romanticism: What is it? "The Legend of Sleepy Hollow" and "Swing Low Sweet Chariot"

WATCH: Below you will find three videos that briefly describe the Romantics, you may watch one, two or all of the videos or you may go back to your notes from previous units, but be prepared to recap and discuss Romanticism, especially in relation to The Scarlet Letter and "The Devil and Tom Walker".











READ: "The Legend of Sleepy Hollow"

And, of course, Disney has an excellent (if not wholly accurate) version (Part I,  Part II, Part III and IV)!


Washington Irving's tale of the Headless Horseman is a classic Halloween tale. Strangely, at the time Halloween was not the celebrated holiday that we see today. When you read this story think about what actually happens to Ichabod Crane.

ANSWER ON YOUR BLOG: How does this story capture the imagination of readers today?

LISTEN: "Swing Low, Sweet Chariot" Wallis Willis



ANSWER ON YOUR BLOG: How is this song about escaping the physical conditions of slavery? How is this song about religious hope and faith? How is this song reflective of its time period? How does it relate to today?

WORDS TO KNOW
Spiritual: Songs that developed among the slave population on the plantations – generally religious in nature, but often with double meaning relating to the desire for freedom from slavery.
Call and Response: The musical practice of a leader calling out a line of music (sung or played on an instrument) and others responding.

[Source]



Sunday, October 27, 2013

Essential Questions for this Unit

"Rain, Train and Speed"-JMW Turner National Gallery
On your blog answer the essential questions:
  1. How are the Romantics' beliefs of optimism and individualism reflected in their writing?
  2. What is Romanticism, Gothic Romanticism and Southern Gothic Romanticism? How are they similar how are they different?
  3. How is the Southern Gothic movement a response to literary movements that have preceded it as well as a manipulation of Romantic literary conventions?
  4. How did the American culture prompt the dark sides of Romanticism (think Gothic and Southern Gothic)?
  5. How do the writings of these time periods influence the writings of today? 
Feel free to add to your answers as you progress through the unit.

Anytime you want me to check your progress comment below and I'll look at what you've been writing.

Saturday, October 26, 2013

What is the Catch and Release Workshop Model?

From So What Do They Really Know? by Cris Tovani
Students do the majority of work in class by reading, writing and thinking during class. According to Tovani the workshop has four major components:
1] The Opening
Set the stage for the day: This will be conducted with a board question and broad general lessons for the unit.
2] The Mini Lesson
Direct Instruction for the whole class: This will cover key terms, literary terms and/or aspects of figurative language. Concepts every student must have to achieve the unit.
3] Work Time
Students practice the learning: Each student will have different things they need to work on completing and as they are working they can ask questions, address difficult aspects of the night's work or just use class time to complete the reading/projects.
Tovani has a couple of goals for this time:
  • As students work, I confer with individuals or small groups. Often my conferences are pretty short—about two to four minutes long. The purpose of conferring is twofold. I want to assess student learning and help them to build stamina. When I confer, I try to figure out what students know and what they need so they can continue doing the work on their own. My goal when conferring isn’t to “fix” students but rather to provide support and scaffolding so students can be the ones who engage in the critical thinking. Just like during the mini-lesson, I must be careful not to take time away from students’ doing the work. Conferring helps me help students stay on task so they can build stamina, skill, and endurance.
  • Catch-and-release occurs during the work time and can be either a planned or an unplanned part of the workshop. When I use the catch-and-release technique, it is because I have noticed a pattern of confusion in several students. Instead of repeating the teaching to each individual student, I temporarily halt the work time to quickly share a strategy or a piece of content that will benefit the class’s learning process. Other times when I use catch-and-release, I’ve anticipated places where students might struggle. In these cases, I model a way to negotiate the difficulty and then I release the kids so they have time to practice what I showed them. In either case, the catches are short, usually lasting only a few minutes.

4] The Debriefing
Gives students process what they've worked on in class. This can be a whole group activity like a focused free write or an exit slip or just a group conversation about the things they've learned that day.