Monday, October 28, 2013

Romanticism: What is it? "The Legend of Sleepy Hollow" and "Swing Low Sweet Chariot"

WATCH: Below you will find three videos that briefly describe the Romantics, you may watch one, two or all of the videos or you may go back to your notes from previous units, but be prepared to recap and discuss Romanticism, especially in relation to The Scarlet Letter and "The Devil and Tom Walker".











READ: "The Legend of Sleepy Hollow"

And, of course, Disney has an excellent (if not wholly accurate) version (Part I,  Part II, Part III and IV)!


Washington Irving's tale of the Headless Horseman is a classic Halloween tale. Strangely, at the time Halloween was not the celebrated holiday that we see today. When you read this story think about what actually happens to Ichabod Crane.

ANSWER ON YOUR BLOG: How does this story capture the imagination of readers today?

LISTEN: "Swing Low, Sweet Chariot" Wallis Willis



ANSWER ON YOUR BLOG: How is this song about escaping the physical conditions of slavery? How is this song about religious hope and faith? How is this song reflective of its time period? How does it relate to today?

WORDS TO KNOW
Spiritual: Songs that developed among the slave population on the plantations – generally religious in nature, but often with double meaning relating to the desire for freedom from slavery.
Call and Response: The musical practice of a leader calling out a line of music (sung or played on an instrument) and others responding.

[Source]



Sunday, October 27, 2013

Essential Questions for this Unit

"Rain, Train and Speed"-JMW Turner National Gallery
On your blog answer the essential questions:
  1. How are the Romantics' beliefs of optimism and individualism reflected in their writing?
  2. What is Romanticism, Gothic Romanticism and Southern Gothic Romanticism? How are they similar how are they different?
  3. How is the Southern Gothic movement a response to literary movements that have preceded it as well as a manipulation of Romantic literary conventions?
  4. How did the American culture prompt the dark sides of Romanticism (think Gothic and Southern Gothic)?
  5. How do the writings of these time periods influence the writings of today? 
Feel free to add to your answers as you progress through the unit.

Anytime you want me to check your progress comment below and I'll look at what you've been writing.

Saturday, October 26, 2013

What is the Catch and Release Workshop Model?

From So What Do They Really Know? by Cris Tovani
Students do the majority of work in class by reading, writing and thinking during class. According to Tovani the workshop has four major components:
1] The Opening
Set the stage for the day: This will be conducted with a board question and broad general lessons for the unit.
2] The Mini Lesson
Direct Instruction for the whole class: This will cover key terms, literary terms and/or aspects of figurative language. Concepts every student must have to achieve the unit.
3] Work Time
Students practice the learning: Each student will have different things they need to work on completing and as they are working they can ask questions, address difficult aspects of the night's work or just use class time to complete the reading/projects.
Tovani has a couple of goals for this time:
  • As students work, I confer with individuals or small groups. Often my conferences are pretty short—about two to four minutes long. The purpose of conferring is twofold. I want to assess student learning and help them to build stamina. When I confer, I try to figure out what students know and what they need so they can continue doing the work on their own. My goal when conferring isn’t to “fix” students but rather to provide support and scaffolding so students can be the ones who engage in the critical thinking. Just like during the mini-lesson, I must be careful not to take time away from students’ doing the work. Conferring helps me help students stay on task so they can build stamina, skill, and endurance.
  • Catch-and-release occurs during the work time and can be either a planned or an unplanned part of the workshop. When I use the catch-and-release technique, it is because I have noticed a pattern of confusion in several students. Instead of repeating the teaching to each individual student, I temporarily halt the work time to quickly share a strategy or a piece of content that will benefit the class’s learning process. Other times when I use catch-and-release, I’ve anticipated places where students might struggle. In these cases, I model a way to negotiate the difficulty and then I release the kids so they have time to practice what I showed them. In either case, the catches are short, usually lasting only a few minutes.

4] The Debriefing
Gives students process what they've worked on in class. This can be a whole group activity like a focused free write or an exit slip or just a group conversation about the things they've learned that day.